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A Bird's-Eye View
Theodore Robinson American
On view at The Met Fifth Avenue in Gallery 770
Theodore Robinson, although academically trained at France’s École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists’ colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work.
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#4372. A Bird's-Eye View
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Artwork Details
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Title: A Bird's-Eye View
Artist: Theodore Robinson (1852–1896)
Culture: American
Medium: Oil on canvas
Dimensions: 25 3/4 x 32 in. (65.4 x 81.3 cm)
Credit Line: Gift of George A. Hearn, 1910
Accession Number: 10.64.9
Learn more about this artwork
Timeline of art history, american impressionism, americans in paris, 1860-1900, the united states and canada, 1800-1900 a.d., museum publications.
The American Wing: A Guide
Nineteenth-Century America: Paintings and Sculpture
Masterpieces of American Painting in The Metropolitan Museum of Art
American Paintings in The Metropolitan Museum of Art. Vol. 3, A Catalogue of Works by Artists Born between 1846 and 1864
American Impressionism and Realism: The Painting of Modern Life, 1885–1915
A Walk Through The American Wing
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Low Tide, Riverside Yacht Club
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Uploaded by norwood on February 25, 2014
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File : Theodore Robinson - Low Tide, Riverside Yacht Club (1894).jpg
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Low Tide, Riverside Yacht Club (Q20170368)
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 Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. Robinson was born in Irasburg, Vermont. His family moved to Evansville, Wisconsin, and Robinson briefly studied art in Chicago. In 1874 he journeyed to New York City to attend classes at the National Academy of Design and the Art Students League. In 1876 he traveled to Paris to study under Carolus-Duran and at the École des Beaux-Arts, with Jean-Léon Gérôme. He first exhibited his paintings at the 1877 Salon in Paris, and spent the summer of that year at Grez-sur-Loing. After trips to Venice and Bologna, he returned to the United States in 1879 for several years. In 1881 he moved into a studio in New York and became a professional painter and art teacher, and in the same year became a member of the Society of American Artists. During this time Robinson painted in a realist manner, loosely brushed but not yet impressionistic, often depicting people engaged in quiet domestic or agrarian pursuits. In 1884 Robinson returned to France where he lived for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. Historians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. Not only did he take to heart Monet´s theoretical admonitions and his requirement to portray the beauties and mystery of nature in a manner stringently truthful to one's personal vision, but he also studied works that were available to him in "The Master´s" studio. For instance, Capri, painted in 1890, was probably inspired by Monet´s paintings of the cliffs at Varengeville, Pourville, and Etretat and the rocks at Bell-Ile of the early 1880s. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. His Winter Landscape won the 1890 Webb Prize. Another example of his mature work during this period is La Débâcle (1892) in the collection of Scripps College, Claremont California. Robinson left France and Monet for the final time in 1892, although he meant to return. Back in America, Robinson obtained a teaching post with the Brooklyn Art School and conducted summer classes in Napanoch, New York, near the Catskill Mountains, where he painted several canal scenes. He also taught at Evelyn College in Princeton, New Jersey, and later at the Pennsylvania Academy of the Fine Arts in Philadelphia. With New York City as his base, Robinson circulated among a growing number of American artists pursuing Impressionism. He was particularly close to John Henry Twachtman and Julian Alden Weir, and spent time at the nearby Cos Cob Art Colony in Connecticut. There he painted a series of boat scenes at the Riverside Yacht Club which have come to be regarded as among his finest works. While his reputation as an important American Impressionist was growing, Robinson still needed to teach to support himself. He also harbored doubts about the quality of his work. Throughout his career, Theodore Robinson kept meticulous diaries, but only the last several years of the diaries are known to exist. These are in the collection of the Frick Art Reference Library in New York and available to scholars. The art historian Sona Johnson, of the Baltimore Museum of Art, plans to publish an annotated edition of the Robinson diaries. In the last year of his life he was asked to contribute to the book of essays titled Modern French Masters by the editor and art historian John Charles Van Dyke. He wrote an essay on the Barbizon painter Jean-Baptiste-Camille Corot and, because of his friendship with the French Impressionist, he wrote and illustrated the essay on Claude Monet. The book was published in 1896 and his illustration of Monet was featured in the exhibition "In Monet's Light." In 1895, Robinson enjoyed a productive period in Vermont, and in February 1896 he wrote to Monet about returning to Giverny, but in April he died of an acute asthma attack in New York City. He was buried in his hometown of Evansville, Wisconsin. He was 43 years old. More Artworks by Theodore Robinson (View all 39 Artworks) The Wedding March (1892) Two in a Boat By the river ( 1887) Old Church At Giverny (1891) Farm Among Hills, Giverny (c. 1887) House In Virginia (Castle Hill) Vermont Hill (circa 1894) The Valley of Arconville (c. 1887) Jamaica, Vermont (1895) La Vachère (ca. 1888) At the Piano (1887) House In Virginia (Castle Hill) (1893) Winter Landscape (1889) Le bar de l’Hôtel Baudy, Giverny (circa 1888)The Metropolitan Museum of ArtNew york city, united states.  Low Tide, Riverside Yacht ClubBy Theodore Robinson
OVERVIEW All artworks are produced on our unique heritage-style Giclee-certified canvas. Our hand-crafted pine wood frames help to add a sophisticated finish. CANVAS DETAILS We print on high-quality, natural white, matte, 400+ gsm Giclee ultra-smooth 100% cotton canvas to ensure outstanding quality. Our canvas is pH neutral and acid-free ensuring that the canvas remains stunning and preserving resale ability. Each framed canvas has a pre-installed wire hanger and each regular canvas has pre-installed sawtooth hangers. All of our canvas has a depth of 1.25" (note that a frame adds 0.25" - 0.50" inches of further depth depending on size). INK QUALITY All prints feature bright, vibrant, lasting colors, thanks to our archival inkjet printing process. ARTWORK SUMMARY This artwork is available as a wall art print on canvas. Explore plenty of other vintage art and art ideas in our full gallery. On average, the artwork is produced, shipped, and delivered within 5-8 business days. PROCESSING & PRODUCTION Processing and production generally takes 2 to 3 days, but can take up to 5 business days depending on current stock levels and print demand. SHIPPING Time to delivery after processing and production usually takes around 2 to 5 business days to arrive. Orders can be tracked through our portal linked here or clicking on Aftership. For more information, please review our shipping policy linked here.  RETURNS If you would like to return your order within 30-days, please reach out to [email protected] or use the contact form at our Help Center here. For more information, please review our returns policy linked here. Low Tide, Riverside Yacht Club by Theodore RobinsonLow Tide, Riverside Yacht Club by Theodore Robinson, painted in the late 19th century, portrays a serene view of the Riverside Yacht Club during low tide. Robinson, a prominent American Impressionist, captures the tranquil atmosphere of the waterfront scene with his characteristic emphasis on light and color. The painting showcases the boats and the exposed riverbed as the tide recedes, reflecting Robinson’s skill in depicting natural light and its effects on the landscape. His use of brushwork and color conveys the calm and dynamic quality of the water and the surrounding environment, illustrating the Impressionist focus on capturing the momentary effects of light and atmosphere.
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 Low Tide Riverside Yacht Club Artist: Theodore Robinson Oil Painting Reproductions, 100% Hand-Painted On CanvasAn additional 2-3″ (5-8 cm) will be extended around the canvas. The extended area will have similar matching color to the surrounding border. The finished canvas is ready to be stretch and wrap around the sides of the stretcher bars.  Free Shipping Worldwide!
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Low Tide, Riverside Yacht Club. On view at The Met Fifth Avenue in Gallery 770. This work is one of a series of coastal scenes painted by Theodore Robinson at Cos Cob, Connecticut, a popular American artists' colony. It reveals how the painter synthesized the earlier influence of Claude Monet with a newfound interest in Japanese prints.
Low Tide, Riverside Yacht Club. Theodore Robinson (1852-1896) 1894. Self-Portrait. Theodore Robinson (1852-1896) ca. 1884-87. Evening at the Lock, Napanoch, New York. Theodore Robinson (1852-1896) 1893. Resources for Research.
Clubhouse of the Riverside Yacht Club, as it appeared in the 1890s. Photo by John S. Johnston.. The Riverside Yacht Club was founded in 1888 by George I. Tyson, a prominent and wealthy summer resident of Riverside, CT, and the owner of the yacht Nirvana. [2] [3] Using his own money and waterfront property, Tyson built the original Victorian-style clubhouse in 1889 on the eastern shore of Cos ...
Low Tide, Riverside Yacht Club Theodore Robinson 1894. The Metropolitan Museum of Art New York City, United States. Download this artwork (provided by The Metropolitan Museum of Art). Learn more about this artwork. Details. Title: Low Tide, Riverside Yacht Club; Creator: Theodore Robinson;
Low Tide, Riverside Yacht Club - painting by Theodore Robinson (MET, 2007.281.3)
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Place of creation: United States of America : Credit line: 2007: given by Margaret and Raymond J. Horowitz: References: The Met object ID: 19523 ; Artstor artwork ID: 18707270 ; Heilbrunn Timeline of Art History
Low Tide, Riverside Yacht Club: Dated: 1894: Medium: oil on canvas: Dimensions: 18 x 24 in. (45.7 x 61 cm) Location: Metropolitan Museum of Art: City, State: New York, NY: Credit Line: Gift of Raymond J. and Margaret Horowitz, 2007. Found missing or wrong information? Please let us know.
Title: Low Tide, Riverside Yacht Club: Dated: 1894: Medium: oil on canvas: Dimensions: 18 x 24 in. (45.7 x 61 cm) Location: Metropolitan Museum of Art: City, State ...
Download Image of Low Tide, Riverside Yacht Club. Free for commercial use, no attribution required. . Dated: 1894. Topics: theodore robinson, canvas, oil paintings ...
Low Tide, Riverside Yacht Club (Q20170368) From Wikidata. Jump to navigation Jump to search. painting by Theodore Robinson. edit. Language Label Description Also known as; English: Low Tide, Riverside Yacht Club. painting by Theodore Robinson. Statements. instance of. painting. object named as. Painting. 1 reference.
Low Tide, Riverside Yacht Club (1894) Theodore Robinson (American, 1852-1896) Facebook Twitter Pinterest. Favourite Collect. Standard, 1800 x 1335px JPG, Size: 2.31 MB. ... There he painted a series of boat scenes at the Riverside Yacht Club which have come to be regarded as among his finest works.
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Riverside Yacht Club History. On the evening of May 25, 1888 George I. Tyson, a prominent summer resident of Riverside and an enthusiastic yachtsman, invited 10 of his friends to meet with him at his home to consider and act upon his plan to establish a yacht club in the community. George Tyson provided an acre or so of waterfront land, and he ...
Shop Low Tide, Riverside Yacht Club by Theodore Robinson at Ave Legato. Explore Low Tide, Riverside Yacht Club and Theodore Robinson vintage art prints across styles and themes with our easily navigable gallery.
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Don't get blown away by the weather in Riverside Yacht Club. SailFlow has the latest weather conditions, winds, forecasts, nearby currents, and alerts for the area! Main Menu SailFlow Logo Search. ... Nearby Tides & Currents. This is a list of all weather stations within 50 km of this location. The search radius can be changed in your settings.
18" x 24" Theodore Robinson Low Tide, the Riverside Yacht Club framed premium canvas print reproduced to meet museum quality standards. Our Museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks.
This page provides updates on current events and news of interest to the Yacht Club members. Use the RSS Feed to get instant updates when changes are made. ... Fripp Tides (click here) Morgan River Sand Bar Photos and Video now on line. 8/31/2014 0 Comments Wonderful panoramic photos and the full video from our Morgan River Sand Bar ...